![]() ![]() Other then that and to be completely honest, we dont know as in general the founding idea of Urban Tale is completed with this updated.Īt this point we want to see people that believed in this project form the early days when Urban Tale was released into Early Access, enjoy it now as a Full Release title. Most likely bugs and performance updates are still to follow after this version. And many more smaller bugs and issues resolved.Value calculation on Sunday Market fixed.Mini icons added to all playable characters.Sunday Market icons when placed on table bug fixed.Fixed curtain recipes with wrong names.Cooking process creating bigger icons after loading a game fixed.Computer screen issues while in your shop fixed.Travel Agent Career, coumputer screen updated.Apartment 2 window layering issue fixed.Collecting profits in your own shop update.Closing times and getting kicked out fixed.Banker level 1, pamphlet fixed and updated.Apartment 8, window layering issue fixed.Sleeping readjustment to crafting and cooking times.Conversation window with Avatars added.Saving and Loading screens updated with scenario icons.Bank level 4, deleting your own loan fixed.Buying software license in Piksli building when having your own shop.Some are connected to tasks that ware alraedy present in the game, other are connected to new tasks and enivroments that are introducet to the game with this version. 8 completly different scenarios are to be played out and each of them has it's own Steam Achivement. Same goes for Scenario Mode Achievements.Īs was announced back in May 2020, a scenario mode was added to the game. The Steam Achievements connected to the Freeplay Mode can only be unlocked while playing in Freeplay Mode. They are divided into 2 different sections, Freeplay Mode and Scenario Mode. adds 20 different Steam Achievement to the game. Urban Tale is a very sterile and disengaged film, that somehow seems to have tricked itself into thinking that it has terribly important things to say.Bringing Steam Achievements, Scenario Mode and much more. Style complements substance it can’t replace it. But all these fail to make up for a fundamental lack that pervades the film. The cinematography is exquisite, with gorgeously framed shots and intriguing camera angles. It is a pretty film to look at, it must be said. Certainly, the prurience with which Urban Tale negotiates male nudity – which I’ve talked about before and won’t bother going over again – is strikingly timid, the very antithesis of the radical claims that the film stakes for itself. Truth is, it all seems rather quotidian, even conventional. In style, execution and, um, length, it is clearly intended to grab us by the short and curlies. Take the sex, for example (and there is quite a lot of this to take). But where it thinks of itself as brash and daring, it is instead quite conformist. Urban Tale, to be fair, has a couple of interesting things to say about the irresistible cynicism that replaces the optimism of youth, the inevitability of one’s capitulation to the conformity of a deeply unimaginative age. The thing though is that it is always going to be the message, rather than the medium, that matters. Think of it as a wilful provocation from transgressive sexual conduct to a perhaps unfortunate preoccupation with anal polyps, Urban Tale agitates for our attention from its very first frames. It is, I suppose, the film-maker’s right to make a film as misanthropic, sexualised and stylised as Urban Tale. Including, it seems, this risibly misjudged film. From now on it is finally full sex, 24 hours a day, sex in your face, in Hi-Definition on prime time. No more self righteous programs with hidden messages. We’ll watch with our tongues hanging out. Don’t just hint, give us full penetrations. Women accentuate everything except their minds. ![]() We do not speak to each other in words, we declaim at one another in paragraphs. They tell us the things they think that we do not know. ![]() Sometimes, the others talk as well as fuck. Our father, he left us when we were small. Our mother has died and we are alone in the world. We have a preternatural passivity, and we speak only in declamatory monologues. We don’t have names, because we are Everyman and Everywoman. This is Urban Tale, written and directed by Eliav Lilti, and we are Boy and Girl. Maybe I will just stare meaningfully instead, and then you will understand. Too complacent and too bourgeois, I repeat in case you did not understand the first time. I want to shock you, shock you because you have become too complacent and too bourgeois. ![]()
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